Like the thermographic photos of the on the album cover, Emotional Rescue is a portfolio of burned-out cases and fire trails. High-contrast patterns of familiar outlines and blackened patches where the heat has burned and gone, these photographs — like pictures of corpses from some holocaust — are practically unrecognizable. As far as the music goes, familiar is an understatement. There's hardly a melody here you haven't heard from the Stones before.
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But then that's nothing new. I'd rather be reminded of Between the Buttons by the venal, high-speed whine of 'She's So Cold' than revisit 'Miss You' outtakes by way of the interminable 'Dance (Pt. 1),' but there are plenty of rooms available at the current memory motel.
Still, the Stones' sound is so identifiable that it's hard to remember how carefully they've developed it: the just-shrillenough blend of harmonica and sax, the similarly gruff treble in their forced high harmonies. And I should tell you about the changes.
Rolling Stones Emotional Rescue Video
Mick Jagger sings in falsetto, someone who sounds like a bad Bob Dylan (my God, it's Keith Richards!) takes a snuffling lead vocal and special guest Max Romeo does a bird chant. But you know as well as I do that nobody talks about the musical innovations on a Stones or Dylan record unless the artists themselves have run out of things to say. One thing's for sure: Emotional Rescue isn't the newsbreak that 1978's Some Girls was. The Rolling Stones haven't suddenly gone salsa (in spite of some south-of-the-border horns). Old hands haven't stepped out of early retirement to show cocky young punks exactly how best to offend, and radio censors won't have a case.
In place of the ethnic and sexual slurs of the earlier LP's title tune (meant, I've always thought, as a sendup of liberal etiquette), Emotional Rescue extends an open invitation to foreigners: 'She could be Roumanian/She could be Bulgarian/She could be Albanian./Send her to me.' If the Stones have adopted a gentlemanly attitude these days, their prime concerns — sex and money — are the proletariat's, too.
But when Mick Jagger is desperate enough to mail-order lovers wholesale, you can't help but wonder who's supposed to be rescuing whom. At least he has fun with the idea. 'I will be your knight in shining armor,' he intones at the end of the title track, sounding like a high-priced fantasy gigolo gone silly with the strain. After nearly eighteen years of well-paid nights and approximately twenty-seven albums of acted out desires, maybe these guys can't help getting lust and cash confused.
That was a long time ago. But even two years back. Some Girls still had a good bit of impudent, anticipatory spark — or at least an experienced. I told-you-so air that was second best. With its fusion of redneck rudeness and elegant, discofied languor (and its honking, conspicuous New York orientation). Some Girls placed itself near the front of the Old Guard.
The stubborn self-respect of 'Before They Make Me Run,' the tough but good-humored sexual irony of 'Beast of Burden' and the impeccable yet slightly melancholy arrogance of 'Miss You' suggested a prime of life in which hearts and minds could survive against both power and possessions and continue to make rock & roll. These songs seemed to be saying that wit, anger and the ability to move fast would keep you alive. And Sugar Blue's harmonica gave you all the tenderness you needed. Nowadays, Sugar Blue is buried in the mix, and there's a weird sort of powerlessness in even the funniest numbers.
('She's So Cold,' 'Send It to Me' and the title cut are Emotional Rescue's standouts.) Lovers leave or turn reluctant for no explicable reason. And for all the Stones' tongue-in-cheek insistence that ladies are commodities to be mail-ordered or tinkered with, it doesn't seem to make them any easier to control. ('I tried rewiring her,' Mick Jagger sings in 'She's So Cold.' 'I think her engine is permanently stalled.' ) Once I would have believed that such irony meant Jagger knew better, but now I think he's hoping his feelings of powerlessness will pass for cynicism.
Sometimes when I turn up the volume, looking for the connection I can't believe isn't there, I imagine that the Stones have actually died and this word-perfect, classic-sounding, spiritless record is a message from the grave. That would be the only irony that could save Emotional Rescue, the only vantage point that would explain the Rolling Stones' insulated view of wide horizons, their passionless disillusionment, their foreigner's confusion about sex, money and worldly possessions. Space jam download free.
Rolling Stones Emotional Rescue Vinyl
Otherwise, unless the Stones are born again or something, I'm afraid that people won't be calling them survivors much longer.
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Rolling Stones Emotional Rescue Review
Weekly charts Chart (1980) Position 4 2 1 1 1 Italian Albums Chart 5 10 2 4 5 1 1 US 1 2 Year-end charts Chart (1980) Position 19 Austrian Albums Chart 9 Canadian Albums Chart 8 Dutch Albums Chart 20 French Albums Chart 27 Italian Albums Chart 22 US Billboard Pop Albums 35 Certifications Region Certification /Sales France Gold 277,900 Netherlands Gold 50,000 ^ Spain Gold 50,000 ^ United Kingdom Gold 100,000 ^ United States 2× Platinum 2,000,000 ^ ^shipments figures based on certification alone References.
The Rolling Stones - Emotional Rescue Side 1: Dance (Pt. 1) (Emotional Rescue) Summer Romance (Emotional Rescue) No Use in Crying (Tattoo You) Let Me Go (Emotional Rescue) Indian Girl (Emotional Rescue) We Had It All (Some Girls Deluxe) Side 2: Little T&A (Tattoo You) Where the Boys Go (Emotional Rescue) Down in the Hole (Emotional Rescue) Emotional Rescue (Emotional Rescue) She's So Cold (Emotional Rescue) I Think I'm Going Mad (Singles Collection) Bonus Tracks: Side 3: If I Was a Dancer (Pt. In order to add in a few outtakes, we'll need to remove at least two songs, unfortunately, but the resulting album seems like a slight improvement, at least. 'Little T&A' and 'No Use Crying' are welcome additions, and the b-side 'I Think I'm Going Mad' is certainly album-worthy. 'We Had It All' and 'Tallahassee Lassie' were released thirty years later on the Some Girls Deluxe reissue, but are actually part of the Emotional Rescue sessions.
The bonus tracks come from a variety of sources recorded during this time, including a few side projects as well. We'll stop there for now, before the Stones started wearing florescent clothing in the 1980s. Sources: Emotional Rescue Tattoo You Some Girls 2010 Deluxe Edition Singles Collection Sucking in the Seventies Many Faces of The Rolling Stones Foxes in Boxes The Very Best of Mick Jagger Emotional Rescue Sessions Greatest Rarities A Stone Alone Place Pigalle Back in the USA Album Fixer.
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